Helena Bonham Carter holds this one together with her superb performance as the aging Princess Margaret, increasingly at a loose end as to what to do with her life. It leaves the scene feeling strangely weightless, despite the sequence itself reaching for Godfather-levels of power. The most interesting part of the episode is the IRA killing Mountbatten by planting a bomb on his boat, but it’s never brought up again, nor is the IRA, even though its actions are a fascinating part of British history. The first episode of season 4 starts moving the gears of the plot, introducing both Margaret Thatcher and young Diana Spencer (who haunts the first scene like a spirit blowing winds of doom), but can’t manage a ton of momentum on its own. Do they inject life into this aging drama? Let’s rank the new episodes and find out. But I was excited for season 4 because I knew it was going to bring in two towering figures from relatively recent British history: Margaret Thatcher, played by X-Files veteran Gillian Anderson and Princess Diana, played by Emma Corrin. Marry who you want! It’s not like the royal family has any real power, anyway, yeesh. But sometimes the conflicts were so small - only appearing grand because of the opulence of the production itself - that I got bored or even angry. In many ways, they’re a lot like everyone else, in that they have problems with their family and their spouses and with what other people think of them. It’s very concerned with the minutia of the lives of the British royal family. You don’t have to think about it much, you just enjoy it.Īt the same time, The Crown could be a frustrating show, at least for me. There’s something comforting about watching well-dressed people trade barbs in beautifully apportioned rooms in British accents. It’s sumptuously made, expertly acted, carefully written, and just fun to watch. Princess Diana and Margaret Thatcher inject some tension into The Crown, making the fourth season the most dynamic yet.
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